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Thoughts on overcoming writer’s block

Disclaimer: This post contains Amazon affiliate links. I make a (very) small referral commission for any purchases made using my links. 

The topic of my email newsletter this past week was overcoming writer’s block, and in it I wrote:

There’s a reason so many advice books instruct the cultivation of a writing practice, but I would argue the point is somewhat mislaid. It’s not the writing that requires practice. Instead, we must practice writing through the discomfort of our own mediocrity. And then, if you’re lucky, every once in a not-so-often while, the universe blesses your practice with a tiny shred of grace.

Today, I’d like to expand this thought and really deconstruct what it means for overcoming writer’s block.

Why most techniques for overcoming writer’s block fail

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[/one_third][two_third_last]In highschool, I spent the year of my creative writing class faithfully performing a ritual of timed writing practice in which one never lifts one’s pen from the page until the allotted practice time is up. This approach was based on the ideas in Natalie Goldberg’s Writing Down the Bones: Freeing the Writer Within, and in theory it makes sense. After all, writer’s block happens in the pauses when we get stuck in our own heads, when we allow the small voices inside our head — the voices that whisper that our words are crap and that we’re never going to be good enough — writer’s block happens when we allow those voices to win.[/two_third_last]

But what I found in developing this practice was that I never wrote anything useful. I filled an entire notebook with words but wrote not a single word of story, and hardly a handful of poems, in the course of nearly 9 months of regular practice. So clearly, just writing isn’t enough. It isn’t enough just to sit down and put one word after another blindly, without weighing the impact of each word and defining the reach of a story.

But Natalie Goldberg gets something very right: it’s in those moments of stillness, the moments when we put the pen down and ponder the direction of our story. It’s in those moments that we open the door for the doubts to flood in. In moments of narrative indecision, we authors find ourselves at our most vulnerable. Because not only are we neck-deep in the inherent vulnerability of crafting art from nothingness, but it is in those blank moments that we must accept that we may never find the perfect next word, or sentence, or page. As an author, ever moment of pause gives pause: and as authors we must grapple with and overcome that uncertainty in order to ever have a hope of finishing a poem/essay/novel/etc.

Why writers could learn a lot from meditation

In Pema Chödrön’s book  How to Meditate: A Practical Guide to Making Friends with Your Mind, she argues that meditation builds five essential skills (heavily paraphrased here):

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  • Meditation cultivates steadfastness. Through meditation we develop loyalty to ourselves and our experience of the present moment.
  • Meditation cultivates clear seeing. Through meditation we start to catch ourselves at the beginnings of neurotic mental chain reactions that limit our ability to experience joy and connection.
  • Meditation develops courage. In meditation we sit with everything that comes up, the good and the bad. The practice of allowing ourselves to experience our emotions as they are requires courage and the practice grows our courage over time. [/two_third_last]
  • Meditation awakens us to our lives. In meditation we develop awareness of the present moment as it is, not as we fear or hope it could be. “When we learn how to relax into the present moment, we learn how to relax with the unknown”.
  • Meditation teaches “no big deal”. Meditation teaches how to be flexible to the present moment. Things happen, this moment passes into the next, and we keep on keeping on. It’s all “no big deal”.

 

Now, I don’t pretend to be an expert on meditation. In fact, I’ll freely admit I’m an abominable meditator. I can’t stick with it, I get bored and fidgety, and I cannot begin to tame my monkey mind. Plus, after a few failed starts, I’ve mostly given up trying. But as a writer, I think that these five skills have everything to teach us about overcoming writer’s block. And, I think that you don’t have to cultivate a meditation practice to succeed; you just have to cultivate the right writing practice.

How to use the teachings of meditation in overcoming writer’s block

As authors, we must acquire and utilize these five key skills of meditation.

  • We must be steadfast in our practice; no one ever wrote a novel before they wrote a page, and then a bunch more pages.
  • We must see clearly in the quiet spaces between words when the doubts creep in we must recognize them and then we must be clear-headed enough to let them go. This is where many writers might use a mantra or a prayer, to say: I hear you doubts and I acknowledge you and now I choose to let you go (Elizabeth Gilbert gave an interesting TED talk on this subject).
  • We must have courage. Some days the writing sucks and each and every word is a struggle. We must have the courage to persist, on the good days and also on the bad.
  • We must write in the moment. Thinking too much about the outcome will remove us from being present with our story and opens the doors for the doubts to flood in. Don’t allow yourself to get overwhelmed by the rest of the story. Just write the next word, and the next, and the next.
  • Finally we must approach the practice with an attitude of “no big deal”. Writing will have its brilliant days and its worthless days. As authors who wish to keep going we cannot attach significance to the whims of the writing on any given day. We cannot just write on the brilliant days and we cannot fail to write because we dread the worthless days. Instead, we must take each day as it is and do what we can with whatever we have.

The trick is to make the most of each day exactly how it is. Write less on the worthless days if you have to; a paragraph on a worthless day may be a bigger accomplishment than a whole chapter on a brilliant day.

Accept your accomplishments and your failures and move forward. Release any attachment to the outcome.

Move on to the next word.

 

Now I’d love to hear from you! Do you struggle with writer’s block? If so, which of the five skills do you most need to work on? Have you got any tricks for overcoming writer’s block? Let me know in the comments below.

The silence echoes

I watch, wait—
malinger in your dark and
desolate spaces.

Lurk in the shadows that
form between the stony
gravel of words grinding
against clenched teeth.

Obdurate pebbles confined in
a jaw too small to hold 
the damage that lingers in 
the silences

that echo from these walls
in the moments that follow

my shout.

For a moment in the rain

The rain falls from the sky—
a hundred million stars twinkling,
hurtling ground-ward to land
splish-splashing at my feet.

I feel the droplets splatter on my head
beading there, only to soak down
into my scalp, chasing rivulets,
rushing as rivers through
the forest of my hair.

The world is washed clean by the rain as
I too am cleansed. Rinsed
of the grime left by my daily
grinding away at the ceaseless list of
to-dos and couldn't possiblys
the infinity of whys that stands between here
and all the there's I'd thought to seek.

But for right here and now,
in this one single moment,
drenched by the rain,
I feel myself distant.

I know myself me.

How to make a story memorable

Disclaimer: This post contains Amazon affiliate links. I make a (very) small referral commission for any purchases made using my links. 

I’ve recently finished reading Made to Stick: Why Some Ideas Survive and Others Die by Chip and Dan Heath, and while the book may not be targeted at fiction writers, I think it’s got a lot to tell us about what it means to write a great story. Because the stories we love best are the ones that capture our attention and remain vividly imprinted on our memories, i.e. the stories that stick.

So, let’s  take a look at how to turn an understanding of sticky ideas into practical tips for how to make your writing memorable.

First, what makes an idea sticky?

The authors of the book break down the steps for stickiness into a cute acronym: SUCCESs, which stands for simplicity, unexpectedness, concreteness, credibility, emotions, and stories. Many of these concepts seem reasonably intuitive: keep your message concise, try to surprise your reader to keep them engaged, use concrete language rather than academic, abstract language, make sure your idea is presented in a way that fosters credibility, speak to the reader’s emotions, and, if you can, utilize story to achieve these ends. Stated simply, I don’t think most readers will find these ideas very surprising; however, the book does present some interesting strategies for achieving sticky ideas (and some interesting explanations for why we’re not naturally better at framing our ideas in a way that makes them memorable).

Let’s look at how to make a story memorable using these principles

Here’s my takeaway for writing a memorable story after reading Made to Stick.

Simplicity

  • Figure out what’s at the very heart of your story. What is the most important thing for the reader to walk away with?
  • Don’t get sucked down the rabbit hole of convoluted plots. Subplots are fine, but make sure they serve the core of your story rather than distracting and confusing your reader. No one likes to read a book they have to struggle to keep up with.
  • While avoiding over-explaining, don’t be afraid to spell things out for your reader. No one likes feeling that the author is toying with them and withholding information.

Unexpectedness

  • The easiest way to achieve Unexpectedness is to surprise your reader: break a pattern, upset their worldview, make them think “No, wait…”. In a story this could mean a crazy plot twist, but be careful of coming across as gimmicky (this damages the story’s Credibility).
  • There’s a reason everyone loves a good mystery novel. They’re frequently unexpected and keep us guessing and dying to know how it ends. As writers we can leverage this across genres: keep your reader guessing, make them doubt or dread the ending they foresee.

Concreteness

  • Use concrete details in your description (this is the old adage of show, don’t tell). Concreteness aids in ease of understanding and retention for readers. In non-fiction writing, try to steer clear of abstract language and ideas unless your audience is limited to experts in their particular field.
  • Make the characters’ world and experiences tangible.
  • For non-fiction writers. Avoid the trap of facts and statistics. Instead, illuminate principles with concrete examples (in story form!).
  • If you must use numbers, try to reframe your statistics in a way that makes them human-scale. We struggle to conceptualize 10^5 water drops, but can easily comprehend the notion of a gallon of water.

Credibility

  • Don’t make the reader suspend disbelief. If you’ve ever given up on bad sci-fi, you know what I mean. Instead, build a world that’s internally consistent and operates within well-defined, concrete, and logical boundaries.
  • You can use authorities and anti-authorities even in fiction (an anti-authority is a non-expert who has credibility on a subject due to personal experience, think Jared from those Subway ads). In fiction, authority comes internally from other characters, whose reactions lend credibility to your protagonists ideas and actions.

Emotions

  • Sticky stories play to our emotions. We love the characters, we hate them, we dread the messy end we expect for them, and we rejoice when they are saved at the last possible second. We care.
  • Avoid tried and trite language. Some words, phrases, and ideas have become so over-used they’ve lost their emotional mojo.
  • Appeal to identity. As humans, we view our thoughts and actions through the lense of our own self-image. Make sure your character’s actions are consistent with their identity.

Now, let me know what you think.

Do you agree with Chip and Dan Heath about what makes a idea sticky? Do you like this as a framework for identifying features that make a story memorable? Do you have any tips for writing sticky stories? Let me know in the comments below!

An infinity of waiting

She stands in the crowd—
solitary and silent,
an island — all her own.
The people flow, surround her 
on the sidewalk, bumping past her 
as they go.

She's been standing here a long time,
her edges worn smooth by the people
who brush past.

She no longer remembers stopping
No longer remembers anything
but an infinity of waiting, 
and a stationary salute
she can't recall beginning.

The people pass by and she watches,
doesn't understand their hurry,
can't share their urgency.

Her peace has grown roots,
right down through crumbling concrete—
down into the damp earth that lingers below.

She stretches, reaching long arms
up for the sun. She turns her eyes
from the crowds, and smiles 
toward the blue of the sky,

She hears only the breezes and sighs.